Goltzius portrayed the lead-up to the fight in the background, where Hercules rolls away a boulder at the cavern’s entrance, setting free a small herd of cows that Cacus had stolen. The frown, a very common feature of artists' self-portraits, symbolizes deep thought. The Hercules and Cacus Episode in Augustan Literature The Hercules and Cacus Episode in Augustan Literature. Hercules headed for Cacus in a rage, who fled, terrified, back to his cave and blocked the entrance with a huge rock, set there by his father Hercules. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. Cacus has fallen onto the bones of his victims. Bandinelli’s Hercules and Cacus at the Palazzo Vecchio. gross weight: 42.66 gr (0.094 lb.) Learn vocabulary, terms, and more with flashcards, games, and other study tools. (40.1 x 32.9 cm) Classification: Prints. Even Hercules' victim, the kneeling Cacus (bottom), shares Hercules' distinctive hairstyle, the curl to his lower lip and the creases on an artist's forehead. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem) Date: 1588. Sculptors tried to imagine compositions that would complete them, one being the struggle of Hercules and the evil giant Cacus, slain by Hercules after he stole the hero's cattle. Cacus then attempts to steal the oxen, but is slain by Hercules' club. Dimensions: 15 13/16 x 12 15/16 in. overall (rectangle with arched top): 6.09 × 3.65 cm (2 3/8 × 1 7/16 in.) To make a chiaroscuro woodcut, an artist uses a separate woodblock for printing each different color of ink. 1957.14.228. About this artwork. While he slept Cacus, a fire-breathing monster who terrorized the countryside, stole the cattle, dragging them backward by their tails into his cave. Samuel H. Kress Collection. Hercules and Cacus early 17th century Central Italian. Medium: Chiaroscuro woodcut in green/yellow-green. Start studying Hercules and Cacus. According to Vasari, there was for 2 days, a multitude in the piazza who went to see the colossal work. Accession Number. Bandinelli unveiled his sculpture in front of the Palazzo della Signoria in 1534. 2 Even Cacus' beard, with far less growth, is at least curly like Hercules'. The subject fascinated Florentine sculptors after Michelangelo explored it in the early 1500s. Artists / Makers Hercules Killing Cacus Date: 1588. Even Hercules struggled to move the stone and force an entrance, and after three failed attempts, he instead climbed to the top of the Aventine and ripped the roof off the cave. Hercules and Cacus, Unveiled. Hercules and Cacus. Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951. Credit Line. If you have another image of Hercules and Cacus that you would like the artist to work from, please include it as an attachment. Dimensions. Engaging the Homeric Hymn to Hermes in Light of Callimachus’ and Apollonius’ Reception. Often, as was the case for both of these prints, the image was rendered primarily in a line block, usually in black. bronze//Medium brown patina. Artist: Hendrick Goltzius Dutch, 1558-1617. Otherwise, we will reproduce the above image for you exactly as it is. Piazza della Signoria – Florence, Italy. Title: Hercules and Cacus. In 1583, a marble statue group with the broken, entwined torsos of two muscular wrestlers was discovered in Rome. Medium. As a last defense, he blows fire at Hercules, who heaves his club overhead to strike a deadly blow. On one occasion, driving his herd through Latium, the region where Rome would one day be established, Hercules stopped to nap on the bank of the Tiber river. Ordered without a frame, it will be delivered in protective tube within 21-28 business days. Not on View. 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