Today, this former "pendant", titled Philosopher with an open book, is attributed to Salomon Koninck. Although the actual artist is debatable, it is probably Rembrandt (Wikipedia). The original masterpiece was created in 1632. 525 to the French collector Marc-René Voyer, marquis d'Argenson. “Philosopher in Meditation” engraved after Rembrandt by Devilliers l’aîné in 1814. Madeleine Hours, "Rembrandt. Rudolf Steiner, "The History of Art: Rembrandt" (lecture 5), 28 November 1916, Dornach (Eng. The RRP did not introduce any new objective or documentary evidence, but based its judgment on an assessment of Rembrandt's "habits," an appraisal of the painting's style, and the difficulty of fitting it within Rembrandt's production in 1632 or the later 1630s. Amazing build - but the lighting is what really makes it. On the pre-iconographic level, this is one of the most "graphic" works painted by Rembrandt, in the sense that it contains many straight, curved, circular, and radiating lines: from the lines of the flagstones to those of the window, the bricks, the wainscotting, and of course the staircase. Lormier's seal is still on the back of the panel. Philosopher in Meditation posters, canvas prints, framed pictures, postcards & more by Rembrandt Harmensz. Paris, Monday, 31 May 1875. [15] As late as 1982, the two paintings were believed to have shared the same provenance as far back as 1734, but this was disproved by the Rembrandt Research Project. Philosopher in Meditation (Bredius 431)[1] is the traditional title of an oil painting in the Musée du Louvre, Paris, that has long been attributed to the 17th-century Dutch artist Rembrandt. Summary mentions of a "Winding stair with a seated old man" in 17th-century inventories could apply to either painting. [21] This was the beginning of a long series of graphic reproductions, both in France and Great Britain, that spread the fame of the two "Philosophers", while catering to the vogue for pendants. In spite of the obvious differences in the composition and execution, no one called its attribution to Rembrandt in doubt. The first figure is that of an old man seated at a table in front of a window, his head bowed and his hands folded in his lap. Rembrandt joins in … "[46] [6], The panel is signed "RHL-van Rijn 163_" at the bottom and left of the center, at a vertical from the figure of the old man. See Clarke, 1990, figs. Interestingly enough, Voyer did not select the two "pendants", but only the Philosophe en contemplation (Rembrandt), thus separating the very pair that he had created. 86 with the title Interior with a window and a winding staircase and the parenthetical information: "a study in Kamerlicht. [48] The painting was officially re-instated in vol. On the pre-iconographic level, this is one of the most "graphic" works painted by Rembrandt, in the sense that it contains many straight, curved, circular, and radiating lines: from the lines of the flagstones to those of the window, the bricks, the wainscotting, and of course the staircase. the philosopher in meditation The Louvre, Paris Our philosopher is well taken care of; for while his thoughts are on higher things and eternal truths, an old woman is busy at the fire in the corner. Voyer appears to be the originator of the old man's philosophical vocation, most likely inspired by the companion piece, which he also owned and which clearly shows a scholar in his study. It is an elegant artwork for home, hotel, cafe, office wall decoration. Tones become monochromatic, the narrative loses some of its emphasis and theatricality to become more sober. It is signed "RHL-van Rijn" and dated 1632, at the time of Rembrandt's move from Leiden to Amsterdam. Mohamed is deeply shaken when his oldest son Malik returns home after a long journey with a mysterious new wife. Nevertheless, a plausible interpretation of the scene is Tobit and Anna waiting for the return of their only son, Tobias, a scene that Rembrandt had already represented in another version in 1630. Read customer reviews and common Questions and Answers for Vault W Artwork Part #: W001604606 on this page. Framed Print of Philosopher in Meditation, 1632 (oil on panel) XIR267672 Philosopher in Meditation, 1632 (oil on panel) by Rembrandt Harmensz. Observations et présentation de radiographies exécutées d'après les portraits et compositions du musée du Louvre,". It is signed “RHL-van Rijn” and dated 1632, at the time of Rembrandt's move from Leiden to Amsterdam. It is this symbolism that shall be thematized in this … [41] The traditional iconography of the Doctors of the Church and St. Jerome in particular provided the attributes for 17th-century representations of scholars in their study. "[44] This judgment was analyzed by Jean-Marie Clarke[45] who pointed out, among other things, that the RRP may have had a special stake in rejecting this painting, as the following quote suggests: The popularity of the painting can be gauged by its significant presence as an image on the internet, where it is often used to represent philosophy themes. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA).