Stanley Kubrick) Ashes and Diamonds (1958, dir. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Therefore, Kubrick’s influence on him was seminal. Leading directors, including Martin Scorsese, Steven Spielberg, George Lucas, James Cameron, Woody Allen, Terry Gilliam, the Coen Brothers, Ridley Scott, Paul Thomas Anderson, Christopher Nolan, and George A. Romero, have cited Kubrick as a source of inspiration, and in the case of Spielberg, … Their approach to film is both singular and yet entirely considered. Learn More{{/message}}, {{^disable_secondary_title}} {{#secondary_title}} {{secondary_title}} {{/secondary_title}} {{^secondary_title}} {{title.raw}} {{/secondary_title}} {{/disable_secondary_title}} {{#disable_secondary_title}} {{ title.raw }} {{/disable_secondary_title}}. Martin Scorsese; Stanley Kubrick; new movie news; Filmmaking; entertainment news I have very strong feelings about Barry Lyndon and about 2001.” He later seems to champion 2001: A Space Odyssey as his favourite stating: “It is a strange thing. Martin Scorsese Commentary on Montage (00:01:15) Scorsese regarded this ability to find a story in a single image as something that permeated his filmmaking and showed that Kubrick was “a person with a very strong, powerful, storytelling ability.”. Dr Strangelove. Newer Post Older Post Home. The server responded with {{status_text}} (code {{status_code}}). Martin Scorsese on Kubrick's 2001: A Space Odyssey and D. W. Griffith Posted by themadbomber187 at If it can be said that good artists borrow and great artists steal, then these two masters assimilated all the cinema they could and unspooled inspiration in such a way that even a cinematic sniffer-dog couldn’t catch the scent of their tracks directly. 2. Salvar meus dados neste navegador para a próxima vez que eu comentar. Pingback: Tweets that mention Kubrick vs Scorsese | NewsErrado -- Topsy.com. Under one arm, he’s carrying books. Federico Fellini) 2001: a Space Odyssey (1968, dir. Scorsese saw the video last year and said he saw the montage of his work “mixed with the master, Kubrick…” Scorsese is obviously a fan of Kubrick’s and acknowledges his work. Orson Welles, one of Kubrick’s strongest personal influences, famously said: “Among those whom I would call ‘younger generation’, Kubrick appears to me to be a giant.” Marc Raymond is an Associate Professor in the Communications department at Kwangwoon University in Seoul. Additional directors such as Richard Linklater, Sam Mendes, Quentin Tarantino, Joel Schumacher, Taylor Hackford and Darren Aronofsky have all mentioned Kubrick as having made one of their favorite films. If you go back and look at the contemporary reactions to any Kubrick picture (except the earliest ones), you’ll see that all his films were initially misunderstood. The religious side of me found an extraordinary comfort in the end of the film, a very beautiful moment.”, {{#message}}{{{message}}}{{/message}}{{^message}}Your submission failed. Kubrick doesn't really mention, in any of his interviews, that group, that generation, of socially critical filmmakers that primarily emerged in the 1970s - Scorsese, Coppola, Pakula, Altman, Carpenter, Cronenberg, Rafelson, de Palma, Malick, Lynch (though he recommended the actors in The Shining to watch Eraserhead) etc, the boomer generation, that is, that succeeded his generation. Day of the Fight (1951) Fear and Desire (1953) Killer's Kiss (1955) The Killing (1956) Paths of Glory (1957) Spartacus (1960) Lolita (1962) Dr. Strangelove (1964) 2001: A Space Odyssey (1968) A Clockwork Orange (1971) Barry Lyndon (1975) The Shining (1980) Full Metal Jacket (1987) Eyes Wide Shut (1999) Dir. Share to Twitter Share to Facebook Share to Pinterest. If Stanley Kubrick had made only 2001: A Space Odyssey or Dr. Strangelove, his cinematic legacy would have been assured.But from his first feature film, Fear and Desire, to the posthumously released Eyes Wide Shut, Kubrick created an accomplished body of work unique in its scope, diversity, and artistry, and by turns both lauded and controversial. 2 thoughts on “ Kubrick vs Scorsese ” Mario Jorge disse: 07/01/2011 às 09:50. Starting with the sculpture of the man, then we see our main character in the end turn into a sculpture and then getting stolen by the burglars, just like the burglars bought the painting. Michael Powell and Emeric Pressburger) Kubrick vs Scorsese Edited by Leandro Copperfield A fully remastered mashup in praise of two the world's greatest directors, Stanley Kubrick and Martin Scorsese. His interest was based on aesthetics, making … “(Sic) One of his films were equivalent to ten of anybody else’s.” – Martin Scorsese In the history of cinema, or even popular culture, for that … Read more on faroutmagazine.co.uk. In his other hand, a copy of The Village Voice. BQ: Taxi Driver. dina egna pins på Pinterest. “(Sic) One of his films were equivalent to ten of anybody else’s.” – Martin Scorsese. Discover how every image in the scene embodies the structure of an entire historical moment. CAMERA IN NONSTOP MOTION is on the shoulder of a young man, late teens, intently walking west on a busy Greenwich Village thoroughfare. Even though the server responded OK, it is possible the submission was not processed. Roberto Rossellini) The Red Shoes (1948, dir. Since its premiere in 1968, the film 2001: A Space Odyssey has been analysed and interpreted by numerous people, ranging from professional movie critics to amateur writers and science fiction fans. See the full list, below. Responder. However, Scorsese goes on to explain that it is not only through visuals that Kubrick changed cinema but also with his unique approach to “logic and continuity” which Marty claims ran counter to the times he was working in and proved revolutionary. The main difference in their mutual praise rests on the fact that when Kubrick’s first full-length feature, Fear and Desire, was released in 1953, Scorsese was still just an 11-year-old boy falling in love with the art form. Topics include: Scene From Barry Lyndon (1975) Directed by Stanley Kubrick Luchino Visconti) Palsa (1946, dir. BQ2: Toss up between Goodfellas, Raging Bull and Taxi Driver. Iconic film director Martin Scorsese notes most of Kubrick’s films were misunderstood and under-appreciated when first released, only to be considered masterpieces later on. Dir. The Aviator. YouTube. This visionary approach to cinema singled Kubrick out as a true original and this singularity garnered him a legion of artiste fans, not just Scorsese, but also David Bowie, Mick Jagger and more. Guardado desde youtube.com. Scorsese elucidates that Kubrick simply told stories differently, describing the Hal “murder scene” as a case in point: the scene defied convention because the victim was a machine, but for all intents and purposes it was very reflective of a Hitchcockian murder scene and this “immersed you in the drama.”, When asked which films stirred him most from Kubrick’s back catalogue, Scorsese squirmed but declared, “It’s hard to choose one. Leading directors such as Martin Scorsese, Steven Spielberg, George Lucas, James Cameron, Woody Allen, Terry Gilliam, the Coen Brothers, Ridley Scott, Paul Thomas Anderson, Christopher Nolan, David Lynch, and George A. Romero have all mentioned Kubrick to be a source of influence. © 2021 The Fiction Story Room. Likewise, Scorsese has reflected this in his own work; the violent burial scene in Goodfellas is backlit by the embalming red of the brake lights, something that renders the scene with an underworld overtone. While success on both parts is the test of any director’s talent, it’s not always the case that even the most influential directors triumph on both counts. 8TH STREET—LATE AFTERNOON (C. 1959). He then applauded Leandro for his work saying it surprised him and was a job well done. Just my personal taste I guess. This is a 1948 Italian neorealist drama film directed by Vittorio De Sica. Josh Safdies’ 5 Favourite Films: Bicycle Thieves – Vittorio De Sica, 1948. 2001: A Space Odyssey, for instance, “changed the way you would normally experience time,” Scorsese tells Rose, “[it] forced you to react with great authority.”. Watch and learn as Martin breaks down the use of natural lighting and voice-over. Watch Martin Scorsese view and praise a video supercut called "Kubrick vs Scorsese", comparing the similarities between the works of the two filmmakers. 8 1/2 (1963, dir. The Shining. Stanley Kubrick is regarded by film critics and historians as one of the most influential directors of all time. Looking first at Kubrick, it … Praise for Dan Schneider. Martin analyzes the first scene of Stanley Kubrick's Barry Lyndon. Labels: Martin Scorsese, Stanley Kubrick. Scorsese regarded this ability to find a story in a single image as something that permeated his filmmaking and showed that Kubrick was “a person with a very strong, powerful, storytelling ability.” Whether it is the tracking shots in Paths of Glory or the slow pans of The Shining, Kubrick’s ability to find story and drama in a single image is indicative of his photographic view of the world. 2012-feb-10 - Denna pin hittades av Brad Brizendine. faroutmagazine.co.uk - Swapnil Dhruv Bose • 8h. “As a filmmaker, you have to tell a story to the audience,” Scorsese expounds, “you have to translate that through an image.” It is a rather simple message, but one that can often be lost. Notify me of followup comments via e-mail. His analysis is referenced in … Watch: Martin Scorsese, Christiane Kubrick & Jan Harlan Reflect On The Life And Career Of Stanley Kubrick In 55-Minute Talk In the history of cinema, or even popular culture, for that matter, few artists have had as much of an impact as Stanley Kubrick and Martin Scorsese. Hey all-bit of a different video this week-a collection of clips of Martin Scorsese talking Stanley Kubrick. Andrzej Wajda) Citizen Kane (1941, dir. Both Scorsese and Kubrick are very much shot-based storytellers; the visuals are not simply an extension of the narrative, they are the vehicle through which the story is told. Save my name, email, and website in this browser for the next time I comment. CocaColaMan. “You go to the movies to be involved in the picture,” Scorsese explained, later adding, “They make you look at being human in a different way.” In many ways, this quote illuminates Kubrick’s power as a provocateur; whether you love Kubrick’s movies or loathe them, there is simply no way that you will be left unmoved by his banality-eviscerating pictures. Iconic film director Martin Scorsese notes most of Kubrick’s films were misunderstood and under-appreciated when first released, only to be considered masterpieces later on. In this rarely seen footage of the director speaking to Charlie Rose, Scorsese eulogised the late director and his influence. E XT. Deixe uma resposta Cancelar resposta. 9 months ago. In the below video, Martin Scorsese speaks about his thoughts on Stanley Kubrick movies and the impact it had on him. Orson Welles) The Leopard (1963, dir. Scorsese because he's my favourite director, and I like the majority of his movies better. There are two sides to every film—the story, and the technique used to tell it. Forum Posts. In an interview for the Eyes Wide Shut DVD release, Steven Spielberg said that “nobody could shoot a picture better in history”, and that Kubrick told stories in a way “antithetical to the way we are accustomed to receiving stories”. Expect to see Stanley Kubrick, Martin Scorsese, Abbas Kiarostami and more. View Our Terms & Conditions. : Martin Scorsese Scorsese on Kubrick Posted by Cosmoetica at 2/24/2010 07:14:00 AM. Stanley Kubrick (1928 – 1999) Unlike other directors whose backgrounds are pulled apart to create a psychological profile meant to better understand their work, Stanley Kubrick never let on much about his past. Please contact the developer of this form processor to improve this message. As Scorsese explains, this ability to perturb, disturb and enthral, simply comes down to his ability as a “storyteller.”. Kubrick had a very specific way of making his films seem grand tho. To see the full interview-click right here! Orson Welles, one of Kubrick’s strongest personal influences, famously said: “Among those whom I would call ‘younger generation’, Kubrick appears to me to be a giant.”. Follow 13683. Muito legal o video. With a new Introduction by Martin Scorsese. Scorsese on Kubrick: When Eyes Wide Shut came out, a few months after Stanley Kubrick’s death in 1999, it was severely misunderstood, which came as no surprise. In Kubrick’s case, the inner narrative of visuals was already in place from his early work as a still photographer. There is little debate or question that Martin Scorsese and Stanley Kubrick are two of the greatest filmmakers to ever walk this earth. He is the author of the book Hollywood's New Yorker: The Making of Martin Scorsese (SUNY Press, 2013) and has published essays on Hong Sang-soo in the New Review of Film and Television Studies and Style. Kubrick had too many movies that were good yet very very odd. Email This BlogThis! 02-dic-2017 - Martin Scorsese's Thoughts on Stanley Kubrick (2001) 02-dic-2017 - Martin Scorsese's Thoughts on Stanley Kubrick (2001). Martin Scorsese. This man was directly responsible for make me love Cinema and watch films in a different way since I was a child. This is eerily similar to Scorsese’s film After Hour were we see Scorsese use a similar style of story telling as Kubrick when the film basically showed you everything that was going to happen. Please contact the developer of this form processor to improve this message. D.W. Griffith (1875 – 1948) D.W. Griffith. He is the author of the book Hollywood's New Yorker: The Making of Martin Scorsese (SUNY Press, 2013) and has published essays on Hong Sang-soo in the New Review of Film and Television Studies and Style. However, Stanley Kubrick puts a lot of his focus into the places, while Scorsese puts much effort into the view of things. Unlike Scorsese, Kubrick was not, it seems, unduly troubled in his making of the picture, but, in linking himself to the psychosexual world of Eyes Wide Shut and shadowing Bill Harford, through so many personal touches, allusions (including echoes of at least four of his films [Webster 161-63]), and connections, Kubrick implies that his own marriage and sense of self may have been troubled, at … . : Stanley Kubrick. With the two luminaries sharing so much in common, it is no surprise that they held each other in high esteem. Scorsese’s films are more personal IMO. They are both behemoths of filmmaking who have inspired a myriad of contemporaries while remaining not only commercially viable but sure-fire box office hits. This deserves a deeper look into some examples, and more importantly how this affects the final edit of their movies. I'd go with Taxi Driver. From Stanley Kubrick to Martin Scorsese: 5 iconic directors influenced by David Lean; From Stanley Kubrick to Martin Scorsese: 5 iconic directors influenced by David Lean. Marc Raymond is an Associate Professor in the Communications department at Kwangwoon University in Seoul. Gotta give him that The Surprise Connection Between Martin Scorsese and Stanley Kubrick’s ‘Eyes Wide Shut’ Orgy Something Kubrick axed from the infamous orgy sequence found its way into Martin Scorsese's … Yeah, this. 6. Most of everything I know about movies and editing was mainly because of him. I was pleasantly surprised by a message from Martin Scorsese talking about my video hommage named "Kubrick vs Scorsese" that I made 6 years ago. Learn More{{/message}}, {{#message}}{{{message}}}{{/message}}{{^message}}It appears your submission was successful. You can also subscribe without commenting. 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