Lorenzo di Credi trained in Andrea del Verrocchio’’’’’’’’s Florentine studio alongside many of the leading painters of his generation, including Leonardo da Vinci, Perugino, Botticelli and Domenico Ghirlandaio. Title: Portrait of a Young Woman; Creator: Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) Date Created: ca. ), National Gallery of Art, Washington. Museum Kunstpalast. Author: Lorenzo di Credi Painted in: 1459?-1537 Framework: Tempera on wood, 51x37 Located in: Michelangelo and Florentine Painters Room Thought to be portrait of Verrocchio or Perugino, this painting was in the past attributed to Raphael. Gabriel - Detail of The Annunciation. 1490–1500. He first influenced Leonardo da Vinci and then was greatly influenced by him. 6th St and Constitution Ave NW [1] William Beattie, Glasgow, Scotland, by 1901. The possibility of a Roman provenance is mentioned in Widener curator Edith Standen's notes (in NGA curatorial files). framed: 63.8 x 50.8 x 5.7 cm (25 1/8 x 20 x 2 1/4 in. He was apprenticed to Andrea del Verrocchio, probably in the mid-1470s. Lorenzo di Credi (1459 ca. Before the painting was transferred to canvas, the wooden support had the inscription "Lorenzo di Credi, pittore più eccellente, 1488, età 32 anni, 8 mesi", perhaps added in the 16th century. Born in Florence, he started to work in Andrea del Verrocchio’s workshop. Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) Italian. Lorenzo di Credi (1459 – Jan 12, 1537) was an Italian Renaissance painter and sculptor. Notably, the composition is strikingly similar to one of the most controversial paintings formerly given to Lorenzo di Credi, the Portrait of a man in the Uffizi, Florence (1890 no. Lorenzo di Credi. (57.8 x 40 cm.) Umbrian, c. 1450 - 1523. ), framed: 63.8 x 50.8 x 5.7 cm (25 1/8 x 20 x 2 1/4 in. Oil on panel transferred to canvas. On Verrocchio's behalf he completed the famous Madonna di Piazza for the cathedral of Pistoia, commissioned to Verrocchio in 1475 but executed by Lorenzo between 1485 and 1491. Dimensions: height x width x depth: 57.2 x 39.3 cm. Portrait of Lorenzo di Credi, an Italian painter who was a pupil and lifelong friend of Leonardo da Vinci. Berenson, Bernard, and William Roberts. ), Pietro Perugino Widener, Lynnewood Hall, Elkins Park, Pennsylvania;[3] inheritance from Estate of Peter A.B. Looking at her portrait by Lorenzo di Credi, though, it is obvious Caterina was a looker, an attractive, pretty woman. Lorenzo Di Credi Paintings: Our Di Credi paintings are 100% hand-painted on canvas by skilled artists. Lorenzo di Credi (1460–1537). Widener by gift through power of appointment of Joseph E. Widener, Elkins Park, Pennsylvania; gift 1942 to NGA. Portrait of Lorenzo di Credi, 1488 Pietro Perugino (1446-1524) Location: National Gallery of Art Washington USA Original Size: 44 x 30.5 cm [1] A red wax customs seal still on the back of the panel reads "DIREZ DELLA R. DOGANA DI FIRENZE"; the "R." which stands for "Reale" ("Royal"), suggests that the painting was cleared for export under the Hapsburg-Lorraine regents. Closed. 114, as Self-Portrait by Lorenzo di Credi. LORENZO DI CREDI. Probably private collections, Florence, until at least the mid-eighteenth century. Pietro Perugino, Portrait of Lorenzo di Credi, 1488, oil on panel transferred to canvas, original panel: 44 x 30.5 cm (17 5/16 x 12 in.) Lorenzo was born in Florence in 1456 or 1459 to a goldsmith named Andrea d' Oderigo. Order a reproduction. Portrait of Lorenzo di Credi, 1488. )overall (with added border): 46 x 32.5 cm (18 1/8 x 12 13/16 in. This splendid portrait - at the Uffizi since 1704 - has been much discussed, as the painter and the figure have been mysterious for a long time: it once was thought to be Martin Luther painted by Holbein, then Andrea del Verrocchio by Lorenzo di Credi, or again a portrait of unknown man. This recreated Lorenzo di Credi's replica is manually reproduced with oil by our master artists, defining every brushstroke to reinvigorate an original to its glory. [2] He lent the painting to a 1901 exhibition in London. 25, repro. View Lorenzo di Credi’s artworks on artnet. He wears a black berret and a blouse of the same color, the collar of a white shirt barely visible at the neck. National Gallery of Art, Washington, DC, Widener Collection Image courtesy of the Board of Trustees, National Gallery of Art The Portrait of Lorenzo di Credi is a painting by the Italian Renaissance artist Perugino, dating to around 1504 and housed in the National Gallery of Art, Washington, DC, United States. Open Access image. (b. ca. Tempera and oil on wood, 59 x 40 cm. Though it was preserved and attached to the stretcher of the present canvas, the inscribed section of the panel unfortunately disappeared sometime after it was re-examined in connection with the Gallery's summary catalogue of 1965. West Building Examples include: Hans Memling, Portrait of Benedetto di Tommaso Portinari (1487) Rogier van der Weyden, Portrait of a Lady (c. 1460) Lorenzo di Credi, Presumed portrait of Caterina Sforza (c. 1481–1483) Lorenzo di Credi, Portrait The National Gallery of Art serves the nation by welcoming all people to explore and experience art, creativity, and our shared humanity. overall (with added border): 46 x 32.5 cm (18 1/8 x 12 13/16 in.) The Adoration of the Shepherds by Lorenzo di Credi. 1490–1500; Physical Dimensions: 23 1/8 x 15 3/4 in. © 2021 National Gallery of Art   Notices   Terms of Use   Privacy Policy. The melancholic expression, as well as the black clothes, are perhaps connected to the death of the common master Verrocchio, which occurred in 1488. The Portrait of Lorenzo di Credi is a painting by the Italian Renaissance artist Perugino, dating to around 1504 and housed in the National Gallery of Art, Washington, DC, United States. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. A beauty. He was an eminent portrait-painter, and his religious pictures were in great demand for the churches and convents of Florence and the neighbourhood. Galleria degli Uffizi, Florence. [3] According to Widener collection cards, in NGA curatorial files. Metropolitan Museum of Art, New York. Read our full Open Access policy for images. Width: 139 mm (5.47 in). Portrait of Lorenzo di Credi, 1488 Oil on panel transferred to canvas, 44 x 30.5 cm (17 5/16 x 12 in.) possibly anonymous collection, Rome, before 1895. Credi was a very fine craftsman, but he lacked a distinctive style. The Virgin and Child, 15th - 16th century . Display this Artwork on your website - 1537 ca.) A panel in Washington, by Perugino, another of Verrocchio’s charges, is thought to be a portrait of the artist; though its inscription “Lorenzo di Credi, most excellent painter, 1488, age 32 years, 8 months" is a sixteenth-century addition. Home > Explore the Uffizi > The Artists. - Portrait of a Boy - undated - Museum Kunstpalast, Düsseldorf, Germany. That concurs with contemporaneous descriptions of her as a belle, or bella donna. Portrait paintings by Lorenzo di Credi‎ (1 C, 13 F) Lady of the Jasmin by Lorenzo di Credi ‎ (6 … On view at The Met Fifth Avenue in Gallery 602. Buy a print on canvas. 1482), which in the 19th century was believed to be a portrait by Lorenzo of his master, Andrea del Verrocchio, but today is believed by many to have been painted by Raphael (see K. Christiansen and S. Weppelmann, eds., 46 × 32.5 cm. Stay up to date about our exhibitions, news, programs, and special offers. original panel: 44 x 30.5 cm (17 5/16 x 12 in. This painting reflects an important step in the evolution of Florentine portraits of women: earlier examples almost always show them bust-length and in profile. Read our full Open Access policy for images. For centuries, this was thought to be a self-portrait signature: however, starting from the 20th centuries the work was attributed, due to styilistical considerations, to Pietro Perugino (in particular, for the similitarities to the Portrait of Francesco delle Opere at the Uffizi), who had studied with Lorenzo in Verrocchio's workshop. The West and East Buildings remain closed at this time. Gothic Art Art Historian Madonna Renaissance Italian Artist Portrait Painting Artist Academic Art Art. Written over the inscription was the inventory number 6A. This damaged but evocative portrait has been identified as the widow of the artist's brother, who was a goldsmith. Lorenzo di Credi by Perugino.jpg 3,396 × 4,858; 9.27 MB María adorando al Niño - Lorenzo di Credi.jpg 518 × 800; 275 KB Scuola di lorenzo di credi… A Century of Progress Exhibition of Paintings and Sculpture, Art Institute of Chicago, 1933, no. [2] (Arthur J. Sulley & Co., London); sold 16 January 1911 to Peter A.B. This page is based on the copyrighted Wikipedia article "Portrait_of_Lorenzo_di_Credi" (); it is used under the Creative Commons Attribution-ShareAlike 3.0 Unported License.You may redistribute it, verbatim or modified, providing that you comply with the terms of the CC-BY-SA. Painting by Lorenzo di Credi , 15th century. 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